FilmVision II — 26 35mm Film Emulation LUTs (250D & 500T)

Two film stocks. Thirteen camera profiles. One pack.

FilmVision II is a high-precision film emulation based on two of the most widely used 35mm film stocks in the history of professional cinema: 250D (daylight stock) and 500T (tungsten stock, for interiors and artificial light). The result is an organic, three-dimensional look with a color response that faithfully mimics how film reacts to light — something no generic digital filter can replicate.

What makes this pack special is its technical approach: instead of applying a look over standard Rec.709 footage, the workflow converts your footage into a simulated flat-space lab scan, giving you full control over contrast and color temperature before the LUT finalizes the look. The result is a significantly more accurate and flexible film emulation.

What's included?

• ✦ 250D — Daylight stock emulation (13 .cube LUTs): neutral tones with soft highlights, natural skin, and clean greens. Ideal for outdoors, nature, and sunlight
• ✦ 500T — Tungsten stock emulation (13 .cube LUTs): cooler tones with a characteristic shadow rolloff, increased simulated sensitivity. Ideal for interiors, night, and artificial light
• ✦ Total: 26 .cube LUTs, one for each camera profile in each stock

Camera profiles included — for each stock

• Sony S-Log 2 · Sony S-Log 3
• ARRI LogC3 · ARRI LogC4
• Canon Log 2 · Canon Log 3
• Panasonic V-Log
• Fujifilm F-Log · Fujifilm F-Log 2
• Nikon N-Log
• Blackmagic BMD Film Gen 4 · BMD Film Gen 5
• DJI D-Log
• RED Log3G10
• ACEScct
• Rec.709 (for standard non-LOG footage)

Each stock includes its own calibrated LUT for each of these profiles — no compromises or approximations.

250D or 500T? Quick Guide

Choose 250D if: you're shooting outdoors, with natural light, in bright areas, or when you want more neutral and controlled tones with soft highlights.

Choose 500T if: you're shooting indoors, under artificial light, in night scenes, or when you're looking for a cooler color temperature with more depth in the shadows.

You can mix both stocks in the same project to visually differentiate interiors from exteriors, just as was done in analog cinema.

Software Compatibility

• DaVinci Resolve (Free and Studio) — recommended for maximum workflow control
• Adobe Premiere Pro
• Adobe After Effects
• Final Cut Pro X
• Baselight · Flame · Nuke
• Any NLE or software that accepts .cube LUTs

Ideal for

• Filmmakers looking for the most technically accurate film emulation available
• Professional colorists working with cinema camera footage (ARRI, RED, Blackmagic)
• Videographers with Sony A7 IV, FX3, FX6 or any camera with a LOG profile
• Production companies needing a consistent look across multiple cameras and profiles
• Content creators who want the film look without complex workflows

📦 Immediate digital download after purchase. Includes 26 .cube files organized into 250D and 500T folders. No physical shipping.