Super 16mm Kodak 200T — LUT LOG & Rec.709
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Super 16mm Kodak 200T — LUT LOG & Rec.709

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The warm tones of Kodak 200T 16mm. In your digital camera.

Kodak 200T is one of the most historically significant Super 16mm film stocks in independent and documentary cinema. Its color response — with warm, golden skin tones, greens softly shifted towards yellow, and shadows with characteristic organic depth — has visually shaped decades of productions with authentic character. This LUT is a direct emulation of that film stock, calibrated by colorists to accurately replicate its behavior with light.

The pack includes two versions of the same LUT, one for footage shot in LOG and another for footage in Rec.709, covering any workflow without the need for intermediate conversions.

What's included?

  • ✦ LOG Version (.cube) — for S-Log, V-Log, C-Log, N-Log, D-Log and any logarithmic profile
  • ✦ Rec.709 Version (.cube) — for standard footage, JPG, digital photography, and streamers
  • ✦ Total: 2 .cube files ready to import

Characteristics of the Kodak 200T Super 16mm look

  • Warm, golden skin tones — especially in natural light and filtered daylight
  • Greens softly shifted towards yellow, typical of low-sensitivity Kodak film
  • Dense, rich shadows with an organic rolloff curve — no crushed blacks
  • Smooth highlight transition, without the harsh clipping of digital
  • Three-dimensional color response that adds depth to flat camera footage
  • White balance and skin tones already calibrated — no need for additional adjustments

Which version to use?

LOG Version: apply it directly to your footage in S-Log2, S-Log3, V-Log, C-Log, N-Log or D-Log M. No prior conversion. The LUT already incorporates the color space transformation. Recommended for video with mirrorless or cinema cameras.

Rec.709 Version: use it on footage already in standard space, JPG or TIFF photos, or drone footage without a LOG profile. Also ideal for streamers in OBS Studio who want a warm, analog look for their webcam.

Software compatibility

  • DaVinci Resolve (Free and Studio)
  • Adobe Premiere Pro
  • Adobe After Effects · Adobe Photoshop
  • Final Cut Pro X
  • LumaFusion (iOS)
  • OBS Studio
  • Filmora · CapCut Pro · any app that accepts .cube LUTs

Compatible with all cameras and devices

Works with footage from Sony, Canon, Nikon, Panasonic, Fujifilm, Blackmagic, ARRI, RED, DJI, GoPro, and any smartphone. The LOG version is especially effective with Sony A7 IV, A7S III, FX3, and FX6 in S-Log3, and with DJI drones in D-Log M.

Ideal for

  • Videographers and filmmakers seeking an analog Super 16mm film aesthetic
  • Photographers who want the warm look of Kodak film without changing systems
  • Content creators for YouTube, Instagram Reels, and TikTok
  • Artists, 2D/3D designers, and illustrators working with renders or motion graphics
  • Streamers looking for a warm, cinematic look for their live webcam

📦 Immediate digital download after purchase. Includes 2 .cube files (LOG version + Rec.709 version). No physical shipments are made.